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Electronics Technician 2nd Class Anthony Juarez and Electronics Technician 3rd Class Codie Flanagan, assigned to Naval Mobile Construction Battalion (NMCB)1, adjust frequency codes on a GRC-234 high-frequency base station at Naval Base Guam July 27, 2017. These tests give NMCB 1 Sailors the opportunity to perform quality assurance checks on their system’s maximum range and communication quality with Port Hueneme, Calif. NMCB 1 provides expeditionary construction and engineering support to expeditionary bases and responds to humanitarian assistance disaster relief requests. (U.S. Navy Combat Camera photo by Fire Controlman 2nd Class Alexander Lee)

L102 UHF was a Whitacre bodied Ford Transit minibus, one six acquired by Coombs of Weston Super Mare from Meteor Parking of Heathrow.

 

Seen at Coombs base in August 1999.

While the F-16A had proven a success, its lack of long-range missile and true all-weather capability hampered it, especially in projected combat against the Warsaw Pact over Central Europe. General Dynamics began work on the upgraded F-16C/D version, with the first Block 25 F-16C flying in June 1984 and entering USAF service that September.

 

Externally, the only ways to tell apart the F-16C from the F-16A is the slightly enlarged base of the tail and a UHF radio antenna at the base of the tail. The intake is also slightly larger, though later marks of the F-16A also have this feature. Internally, however, the F-16C is a significantly different aircraft. The earlier APG-66 radar was replaced by the APG-68 multimode radar used by the F/A-18, which gave the F-16C the same capability to switch between ground-attack and dogfight mode and vastly improved all-weather capability. Cockpit layout was also changed in response to pilots’ requests, with a larger Heads-Up Display and movement of the radar display to eye level rather than between the pilot’s legs on the F-16A. The F-16C would also have the capability to carry the AIM-120 AMRAAM, though it would not be until 1992 that the missile entered service. Other small upgrades were made throughout the design, including the engine.

 

The Block 25 initial production was superseded by the Block 30 F-16C in 1987, which gave it better navigation systems, and the capability to carry the either the General Electric F110 or the Pratt and Whitney F100 turbofan. The Block 40/42 “Night Falcon” followed in 1988, equipped with LANTIRN night attack pods, followed by the Block 50/52, which was a dedicated Wild Weasel variant. In USAF service, the latter are semi-officially known as F-16CG and F-16CJ variants.

 

The F-16C had replaced the F-16A in nearly all overseas USAF units by the First Gulf War in 1991, and as a result, the aircraft was among the first deployed to the theater in August 1990. During the war, the F-16C was used mainly in ground attack and strike sorties, due to delays in the AIM-120, but it performed superbly in this role. USAF F-16s finally scored kills in the F-16C, beginning in 1992, when an Iraqi MiG-23 was shot down over the southern no-fly zone; the victory was also the first with the AMRAAM. Four Serbian G-4 Super Galebs were shot down over Bosnia in 1994. F-16Cs had replaced the F-16A entirely in regular and Reserve USAF service by 1997, and further service was seen over Kosovo, Iraq, Afghanistan, and Libya by 2012. Subsequent upgrades to USAF F-16Cs with GPS allow them to carry advanced precision weapons such as JSOW and JDAM.

 

Whatever the variant, the F-16 is today the most prolific combat aircraft in existence, with 28 nations operating the type (17 of which operate F-16Cs). Over 4450 have been built, with more in production; the F-16C is also license-produced by Turkey and South Korea. It also forms the basis for the Mitsubishi F-2 fighter for Japan, though the F-2 is significantly different, with a longer nose and larger wing. Though the USAF projects that the F-16C will be replaced by the F-35 beginning in 2020, it will likely remain in service for a very long time.

 

Built as the sixth production F-16A, 75-0750 never formally reached the USAF. Instead, it was converted as a permanent testbed to serve with General Dynamics and NASA's Advanced Fighter Technology Integration aircraft. Redesignated NF-16A as a test aircraft, the AFTI F-16 would serve from 1981 to 2000 in various roles, testing new avionics and technologies. The AFTI was among the first aircraft to use "glass" cockpit technology, computer touch-screens, voice-activated flight controls, helmet-mounted targeting, advanced ground-collision avoidance systems, and entirely fly-by-wire controls, with no hydraulic or manual backups. When the test program was brought to an end in 2000, the AFTI project had contribued significantly to more advanced F-16 variants, the F-22 Raptor, and the F-35 Lightning II. Afterwards, it was donated to the National Museum of the USAF at Wright-Patterson AFB, Ohio.

 

Since the NMUSAF already has a F-16A on display (in Thunderbird colors), it was something of a surprise to see one in the Experimental Aircraft Gallery. The AFTI F-16's differences are readily seen: the extended fuselage spine (similar but not as thick as the F-16E/F/I), and the FLIR infrared sensor at the wing root. It is painted in standard USAF F-16 camouflage, aside from the bright blue test colors. "Power By Wire" refers to its entirely fly-by-wire microprocessor flight controls, while the JSF patch on the tail refers to the F-35 project.

 

The Space Shuttle in the background is not a real Shuttle--it is one of several full-scale mockups built for ground training.

graffiti OPNI

  

mix tv

matéria sobre expo do OPNI

net :14

TVA: 16

tv aberta (UHF)14

reprises diarias:

17:45

5:45

     

Espaço ae iou- Atividades de férias-2010

       

Expo

 

A VILA COMO ELA É

   

Você está convidado para conhecer a “A vila como ela é”, uma exposição especialmente criada para o espaço aeiou inspirada nos Josés e Marias da Vila Flávia, onde o grupo OPNI mora. Você vai passear por vielas, becos, barracos e ladeiras guiado(a) pela técnica e sensibilidade do grupo OPNI, e não vai esquecer mais deste canto esquecido da cidade que veio para a charmosa Vila Madá.

 

OPNI

 

OPNI é formado por Cris, Toddy e Val, que pintam as obras a 6 mãos em uma integração espantosa. Questões como a periferia das grandes cidades brasileiras, o povo e a igualdade racial e social estão presentes na arte do grupo, que é influenciada pela “Sociedade Fantoche” – uma visão crítica que o OPNI tem do mundo simbolizada por uma tesoura que representa o corte das linhas de manipulação. O OPNI ainda tem tempo para um blog de notícias e uma revista de arte urbana, a Manifestação, além de realizarem ilustrações, graffiti mural e design gráfico.

 

16 jan a 5 de março

 

Seg a sex das 10 as 18hs

 

Entrada franca

       

Experiências Mágicas

 

Apresentação de mágica

   

Apresentação com duração de 50 minutos para público infantil que transita entre divertir o público, desafiar imaginação e raciocínios, tocar encantamento e incitar o pensamento.

 

O show começa com efeitos encadeados por trilha sonora – predominantemente brasileira – chorinho.

 

Cria-se assim o código: mágica.

 

A partir daí, contanto histórias da sua trajetória de mágico, o ilusionista realiza alguns efeitos que necessitam de diferentes formas de ajuda das crianças presentes. Por vezes sobem ao palco, outras gritam palavras mágicas.

 

O clima é de diversão e desafios.

 

Ricardo Malerbi

   

Dia 27/02-sábado

 

18hs

 

R$10,00 crianças até 12 anos

 

R$20,00 adultos

              

Toy-art de Origami

   

Toy art, a oficina será prática e teórica abordando os vários termos que definem o conceito de "brinquedo de arte" e Origami é a técnica milenar de dobrar papeis com a mescla das duas técnicas o aluno confeccionará um brinquedo com o intuito de colecionismo e/ou decoração. O toy art é, em síntese, uma "tela" em 3 dimensões para artistas e designers expressarem sua arte. Toy Art é manifestação contemporânea que se apropria do brinquedo para mesclar design, moda e urbanidade.

 

Serão conveccionados Toy arts de papel

 

ps;.Os alunos deverão trazer: papeis coloridos, canetinha, lápis, borracha, canetinha, tesoura, estilete e cola quente+ revolver.

   

Katia Suzue Melo

 

Sábado,6 /02

 

Das 14 as 17hs

 

R$30

 

Mínimo 10 vagas

 

Máximo 15 vagas

 

Inscrições até 01/02

 

Espaço ae iou

      

Roteiro e workshop de graffiti na Vila Madalena do Soul Sampa

    

Com o objetivo de despertar os olhares do público para o cenário de grafite presente na cidade de São Paulo, a AEIOU tem o prazer de lhes apresentar um roteiro cultural inovador, que tem por objetivo explicar o fenômeno mundial do graffiti: sua história, os artistas precursores, os paulistanos que estão ganhando o mundo com seus trabalhos e as técnicas utilizadas por eles. Os idealizadores e responsáveis pelo roteiro é o Soul Sampa, empresa jovem e dinâmica, feita por pessoas que amam São Paulo para pessoas que desejam conhecer a metrópole de uma maneira inspiradora. O objetivo do grupo é transformar a cidade num grande palco para o aprendizado e utilizar seus elementos – pessoas, empresas, projetos, histórias, ruas - para transmitir conhecimento de forma prática, objetiva e lúdica.

 

São Paulo é considerada internacionalmente a Capital Mundial do Graffiti. Neste contexto, caminhando pelas ruas da Vila Madalena, região que concentra uma infinidade de obras dos melhores artistas do país (além de renomados artistas estrangeiros), os participantes são convidados a aguçar seus olhares para uma forma de expressão artística que faz parte indissociável do dia a dia de qualquer paulistano – ainda que muitos não tenham se dado conta disto. Deste modo, esperamos não apenas alterar a percepção das pessoas com relação a este universo – muitas vezes considerado apenas algo “marginal” e “contraventor” – mas também melhorar de alguma forma sua convivência com o espaço público. Afinal, ao contrário do que muitos pensam, a intenção de muitos artistas é “dar cor” e “embelezar” a cidade. Basta estar de olhos bem abertos!

 

Além de conhecer obras e artistas paulistanos, os participantes podem experimentar a sensação de “graffitar” na prática! Isso mesmo, o Soul Sampa desenvolveu junto à graffiteira Yá! um workshop no qual os participantes poderão colocar em prática os ensinamentos adquiridos durante o roteiro!

 

A AEIOU participa como apoiadora cultural do roteiro de Arte de Rua do Soul Sampa e oferece seu espaço cultural na sede da operadora para realização do workshop.

 

Quartas e sábados

 

a partir das 11:00 horas

 

R$50,00

  

Saída da estação de metrô Sumaré chegada: Espaço ae iou Rua Fidalga, 548 - Vila Madalena – Pinheiros

  

info@soulsampa.com

   

Palestra/ Bate-papo com com Laerte

 

Mestre nas artes das Histórias em quadrinhos (HQ), ilustrações,charges, cartuns, tirinhas,peças e muito mais Laerte estará dividindo suas experiências e dicas técnicas, poéticas e humorísticas em um diálogo aprofundado com os amantes destas artes, proffissionais da área e admiradores de sua trabalho. Um dos maiores representantes brasileiros na área, criador da tira Piratas na Folha de S. Paulo ele trabalhou junto com Henfil, Angeli, Glauco no Pasquim, desenhou também para o Estado de São Paulo. Participou da revista clássica Chiclete com Banana e da Geraldão. Criou para TV Colosso e TV Pirata dentre outros trabalhos. Alguns de seus personagens mais conhecidos são: Piratas do Tietê, Deus, Fagundes, O Gato e a gata.

 

Quinta,04/02

 

As19hs

 

R$20,00

 

Inscrições até dia 29/01

 

Mínimo de participantes: 25

         

Espaço ae iou

 

Rua Fidalga, 548 - Vila Madalena – Pinheiros

A group of screen shots I put together showing the daily sign-off sequence of the late, great WKBS-TV (1965-1983) in Philadelphia. First was For Your Information - a public affairs show, then a sermonette, information about the station and ending with a Sierra Club nature film with the Star Spangled Banner.

Weird Al Yankovic at the Paramount Theatre for Q&A after a screening of UHF and several of his music videos. Austin, Texas

A9 Moy with Gottwald AK680 ballast.

This is a photo of the base coil matching section on my Diamond F-23 VHF Antenna

it slides into the base housing and is secured by an allen screw

 

It's only about 12 months old but water had managed to get passed the fibre glass seals!

 

So i'll make sure i put plenty of amalgamating tape on re-assembly

 

73, de Dave 2W0DAA

MotoTrbo XPR7550 UHF For Sale

The Yaesu FT-817ND Qrp HF VHF UHF Multi-mode Portable Transceiver

5 watts output selectable down to 500 mw

Nice Quality Radio Made in Japan

 

73, de Dave 2W0DAA / GW4JKR

c/n 396. Operated by the 81st TFW. At the 1981 Upper Heyford Air Show.

 

That's a low power UHF station I have tuned in.

Actuación de UHF, Ultra High Flamenco, durante el pasado festival de jazz en Jaca

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

This is a Gray Hoverman antenna. Indoors, this worked surprisingly well. I'm about 37 miles from most of the transmitters I watch. This got almost everything I get with my second-story-roof-top antenna, except for a distant station that transmits on VHF. Everything else is UHF. Your mileage may vary. The local terrain is completely flat.

 

This antenna lacks a reflector (optional), which would improve sensitivity in the preferred direction.

A Realistic Patrolman PRO-16A scanning receiver, introduced by Radio Shack in 1975. Catalog/Model number 20-165. An interesting design feature with this scanner are the channel indicators double as lock-out switches. It last appeared in the 1977 Radio Shack catalog.

 

This particular set was the first PRO-16A model with the UHF band expanded to 485 MHz - the first PRO-16 scanners went to 470 MHz. Later the PRO-16A's coverage would be expanded again to 512 MHz, covering the UHF-T band.

 

M20 near Lenham, Kent, UK

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

6AM4 vacuum tube (UHF Triode).

Titan Missile Museum

Titan II ICBM Site 571-7

 

UHF (Semi-Hard) Antenna

The semi-hardened cone-shaped ultra high frequency (UHF) antenna provided communications with helicopters and other aircraft associated with the wing command post. At launch sites around Kansas and Little Rock, this antenna could be used to listen for an airborne command post known as Looking Glass. But Looking Glass never flew far enough south to communicate with sites around Tucson. Tucson launch sites used the same antenna to listen for the Emergency Rocket Communications System (ERCS). ERCS used a pair of Minuteman missiles based at Whiteman AFB in Missouri. If needed, these missiles could be launched by Looking Glass and would broadcast the launch order from transmitters in their nose cones. Technical manuals describe the antenna as a "monopole radiator" in the shape of a "solid cylindrical probe weighing 200 pounds (90 kg), insulated from a heavy antenna base weighing 1700 pounds (700 kg)." The "semi hard" description refers to the antenna's less-than-indestructible construction: while the solid metal antenna was intrinsically sturdy, the cone-shaped enclosure was simple fiberglass and would have been unable to protect the antenna from falling objects, flying debris, extreme heat or other nuclear effects. The antenna's concrete platform was 10 ft (3 m) in diameter and four feet (1.2 m) thick. Rough calculations suggest it weighed about 40,000 pounds (18,000 kg).

While the F-16A had proven a success, its lack of long-range missile and true all-weather capability hampered it, especially in projected combat against the Warsaw Pact over Central Europe. General Dynamics began work on the upgraded F-16C/D version, with the first Block 25 F-16C flying in June 1984 and entering USAF service that September.

 

Externally, the only ways to tell apart the F-16C from the F-16A is the slightly enlarged base of the tail and a UHF radio antenna at the base of the tail. The intake is also slightly larger, though later marks of the F-16A also have this feature. Internally, however, the F-16C is a significantly different aircraft. The earlier APG-66 radar was replaced by the APG-68 multimode radar used by the F/A-18, which gave the F-16C the same capability to switch between ground-attack and dogfight mode and vastly improved all-weather capability. Cockpit layout was also changed in response to pilots’ requests, with a larger Heads-Up Display and movement of the radar display to eye level rather than between the pilot’s legs on the F-16A. The F-16C would also have the capability to carry the AIM-120 AMRAAM, though it would not be until 1992 that the missile entered service. Other small upgrades were made throughout the design, including the engine.

 

The Block 25 initial production was superseded by the Block 30 F-16C in 1987, which gave it better navigation systems, and the capability to carry the either the General Electric F110 or the Pratt and Whitney F100 turbofan. The Block 40/42 “Night Falcon” followed in 1988, equipped with LANTIRN night attack pods, followed by the Block 50/52, which was a dedicated Wild Weasel variant. In USAF service, the latter are semi-officially known as F-16CG and F-16CJ variants.

 

The F-16C had replaced the F-16A in nearly all overseas USAF units by the First Gulf War in 1991, and as a result, the aircraft was among the first deployed to the theater in August 1990. During the war, the F-16C was used mainly in ground attack and strike sorties, due to delays in the AIM-120, but it performed superbly in this role. USAF F-16s finally scored kills in the F-16C, beginning in 1992, when an Iraqi MiG-23 was shot down over the southern no-fly zone; the victory was also the first with the AMRAAM. Four Serbian G-4 Super Galebs were shot down over Bosnia in 1994. F-16Cs had replaced the F-16A entirely in regular and Reserve USAF service by 1997, and further service was seen over Kosovo, Iraq, Afghanistan, and Libya by 2012. Subsequent upgrades to USAF F-16Cs with GPS allow them to carry advanced precision weapons such as JSOW and JDAM.

 

Whatever the variant, the F-16 is today the most prolific combat aircraft in existence, with 28 nations operating the type (17 of which operate F-16Cs). Over 4450 have been built, with more in production; the F-16C is also license-produced by Turkey and South Korea. It also forms the basis for the Mitsubishi F-2 fighter for Japan, though the F-2 is significantly different, with a longer nose and larger wing. Though the USAF projects that the F-16C will be replaced by the F-35 beginning in 2020, it will likely remain in service for a very long time.

 

Given that they are still active aircraft, it is somewhat unusual to see a C-model F-16 on display; 85-1469 is a Block 30 version of the F-16C, the second production variant of the C-model. It was originally assigned to the 86th Tactical Fighter Wing at Ramstein, Germany, but in the post Cold War drawdown, it was reassigned to the 114th Fighter Group (South Dakota ANG) at Joe Foss Field, Sioux Falls. 85-1469 served in Operation Southern Watch over southern Iraq in the 1990s, where it got the name "Miss Deal," complete with nose art of Las Vegas and Jessica Rabbit. The nose art remained until 2005, when sadly it was removed.

 

In October of 2005, 85-1469 was approaching a KC-10 Extender to take on fuel when the two aircraft collided. Luckily, both aircraft were able to land safely, but on inspection, the F-16 was damaged beyond economical repair. Rather than scrap the aircraft, the 114th repaired it to static display condition and moved 85-1469 to its airpark.

 

The way it has been restored, one wouldn't know that 85-1469 was ever in an accident. It carries the 114th's unique and attractive "Fighting Lobos" running wolf tail art; it is well-maintained, as evidenced by the chrome tailpipe! During my brief stop in Sioux Falls, two of the 114th's F-16s were making low passes over Foss Field, "beating up" the runways in classic fashion--this made for quite the backdrop.

WRBV-TV (W-Renaissance Broadcasting Vineland) ID slide. Used from when the station began in 1981 to when it was sold to Press broadcasting in 1985.

This is the Yaesu FT-790R MK1 All mode UHF Transceiver nice Quality, Made in Japan

Complete with matching case and microphone

 

In Excellent condition and full working order, FM USB LSB CW

 

This unit was a one owner from new, Having been stored away unused for many years

First sold new back in the early 1980's

 

Operates on the 433MHz 70 cms amateur band

 

73, de Dave 2W0DAA

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

I wanted to get one last photo of this in operation before the FCC shuts it down next year. It has no external antenna input, and even if it did, hauling around a converter box defeats the whole purpose of the Watchman.

 

I bought this on Canal Street in NYC over 20 years ago. At the time it was a marvel of miniaturization. It has an actual CRT, The electron beam hits the front surface of the phosphor rather than usual rear. The screen is angled and slightly curved to correct for the odd geometry. The set runs on 4 AA cells and gets pretty good battery life considering. It has a "sound only" mode that turns off the CRT for extra battery life.

 

Some time in the early 1990s Sony replaced this model with one that had an LCD screen.

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

Channel Master 4228 UHF 8-Bay HDTV Antenna (with lightning rod). This is getting the job done for me on the 2nd story roof, with the transmitters around 38 miles away.

 

Antenna rotors aren't worth it IMHO, because they fail after a year or two. Amplifiers on the mast are also prone to failure. Also unless you're careful, they can make things worse instead of better. Stick to the basics: an outdoor antenna up high, with good quality cable and as short a run as possible.

 

Actually, you'd get a lot of the same channels with an indoor antenna.

 

So long cable! (Actually, it has been decades since I had cable.) See:

 

www.cancelcable.com (No affiliation -- I just like their ideas!)

¿Quién no ha ido alguna vez por la calle escuchando música e imaginando estar dentro de un videoclip? Durante el mes de marzo UHF invitó a un creador a desarrollar un taller de cuatro sesiones de duración en donde explorar las posibilidades del videoclip. A lo largo del taller trabajamos partiendo de procesos caseros con el sonido y la imagen para crear nuestros propios videos musicales.

 

Sergio de Pablo, creador y músico residente en Madrid, ha colaborado en múltiples proyectos artísticos y audiovisuales. Su trabajo trata de mezclar diferentes estrategias creativas a través del humor.

 

UHF es una plataforma para jóvenes de 16 a 21 años donde trabajar con el audiovisual desde lo colectivo.

 

Who has not ever gone down the street listening to music and imagining being in a video clip? During the month of March UHF invited a creator to develop a four-session workshop in which to explore the possibilities of the video clip. Throughout the workshop we work from home processes with sound and image to create our own music videos.

 

Sergio de Pablo, creator and musician residing in Madrid, has collaborated in multiple artistic and audiovisual projects. His work tries to mix different creative strategies through humor.

 

UHF is a platform for youngsters from 16 to 21 years old where they work with the audiovisual from the collective.

 

Fotografías/ photographs: Andrés Arranz

 

CA2M - TALLER DE VIDEOCLIP

 

______________________________________________

Enlaces: WEB CA2M | FACEBOOK CA2M | YOUTUBE CA2M | TWITTER CA2M

This is what I do on 'vacation'. I play radio. This is my HF/VHF/UHF radio. Also my home made 'paddles' to send Morse Code. Another one of my hobbies. Amateur Radio. This one is for you JZ.

Long Range UHF RFID Android Handheld Terminal For Warehouse Inventory,1D/2D Barcode Scanner Engine with Pistol Grips and Cradel www.b2s.pm/17XVEb

The low-UHF band Würzburg radar was the primary ground-based gun laying radar for the Luftwaffe and the Wehrmacht Heer during World War II. It entered service in 1940 and over 4,000 were built.

This example was originally installed on the Norwegian island of Vigra, Ålesund, but was moved after the war to Nordlysobservatoriet in Tromsø. After being stored at Gardermoen it was moved to Sola and restored. It remains on display as part of the Flyhistorisk Museum, Sola, Norway.

10th June 2017

See www.qsl.net/pa0fbk/hampage_uk.htm

 

A highly usable portable antenna made from plain RG-58 for temporary stations. It can be rolled up for easy storage.

 

After making it, I immediately made a contact on 2 meters, 5 watts with PI4DEC, a station partaking in a "locator contest", about 25 kilometres away.

 

Unfortunately I haven't been able to test it properly on 70cm but I was able to work a friend at about 5 kilometres, 59 of course :)

 

I made a small choke by bundling the coax of the BNC connecting cable in some turns and securing it with tape, this improved the reception somewhat.

broadband TV UHF antenna

 

2001-10-27 {yyyy-mm-dd}

My homebrew VHF-UHF amateur satellite antenna

 

Radio Center from the other side of Cobbs Hill Reservoir - 144,000,000 gallons of drinking water.

 

VHF, UHF and microwave antennas for public safety voice communications and mobile data terminals (MDT).

 

Radio Center houses transmitters and repeaters for the City of Rochester and Monroe County, NY Police, Fire, EMS and other public safety agencies. It is located on Cobbs Hill (640 ft above sea level).

 

City Police, County Sheriff and town PDs are using about 30 P25 digital UHF channels.

 

City and County Fire using VHF, County EMS is VHF.

 

No 9-1-1 dispatching is done from this location, it is a primary transmitter site and radio installation/repair shop only.

 

NY State Troopers, NY Dept of Environmental Conservation (law enforcement division), medical examiners, probation and state university police have access to this system for interoperability.

Omn Uhf